The Arab Fund for Arts and Culture – AFAC organizes, in collaboration with the Haus der Kulturen der Welt (HKW) and in partnership with Europe in the Middle East - The Middle East in Europe (EUME), a forum entitled “Politics Through the Looking Glass”, at the HKW in Berlin from October 4 to 6, 2019.
The recent years have witnessed a proliferation of first-person writing and film, where the author’s personal experience is the fount of narrative and representation, and where the “I” merges with the voice of collective consciousness. These works are not only the typical first autobiographical foray in film and writing, rather they also include seasoned and established artists. This ‘inward’ turn toward the personal reimagines the relationship between the real and the fictional, but also brings forward several questions about the present moment of turbulent changes in the Arab world. Do they incarnate a distancing from the “political”, or on the contrary, its reconfiguration in the aftermath of deceptions and defeats? Has the personal lived experience become the only source for forging new meaning in the collapse of patriarchy? What is the relationship of first-person works with identity politics? Has the gendered and queer “I” become a political and artistic choice in itself?
The forum will explore these questions and generate debate around them, bringing writers, filmmakers, critics and academics, to begin identifying the potentialities of the first-person as a regeneration of the political.
Curated by Khaled Saghieh and Rasha Salti, “Politics Through the Looking Glass” is the sixth forum in a series of AFAC events organized in Germany in the framework of AFAC’s special program in Germany, the Arab European Creative Platform – AECP. It was preceded by “Revisiting Archive” at Haus der Kulturen der Welt in October 2018; "Imagining the Future: The Arab World in the Aftermath of Revolution" in June 2018 at Archive Kabinett, “A Century of Camps: Refugee Knowledges and Forms of Sovereignty Beyond the Nation-State” in August 2017 at documenta 14, “Writing (in) Exile: A Forum on Literature, Writing and the Experience of Exile” in July 2017 at Heinrich-Böll-Stiftung, and “Europe and the Mediterranean in Times of Migration” in October 2016 at Allianz Cultural Foundation.
14:00 WELCOME NOTES
Bernd Scherer/Anselm Franke
Rima Mismar (AFAC, Executive Director)
When films and novels rewrite or reconfigure biographical elements, or chapters, to create a realm in-between the real and the fictional
Mazen Maarouf: My Fictionalized Palestine in Beirut
Mohamad Farag: Notes on the “I”, the City, and Contemporary Work
Monira Al Qadiri: Life as a Conspiracy
Moderated by Haytham el-Wardany
16:30 ARTIST PRESENTATIONS
Ravy Shaker: Letters to Moses
Fayrouz Karawya: Afraid to Tell What I Feel: How the Transmutations of the Music Industry Inspired Contemporary Arab Expressionism
Moderated by Rima Mismar
As I Am
Queer narratives and representations
Raji Bathish: Queer Writing Against the Colonial Regime and the Oppressive State
Souhaib Ayoub: From Closed Cities to Exiles: Queer Characters
Moderated by Rasha Hilwi
Salvation Army (Morocco, France, Switzerland), 2013, 75 minutes, Color, in Arabic and French with subtitles in English.
Directed by Abdallah Taïa, adapted from his autobiographical novel of the same title. Cinematography: Agnès Godard. Editing: Françoise Tourmen. Produced by: Hugues Charbonneau, Marie-Ange Luciani. Co-producers, Philippe Martin, Pauline Gygax, Max Karli, Frantz Richard. Sound: Henri Maikoff, Christophe Vingtrinier.
Followed by a discussion with Abdellah Taïa, the author and filmmaker
Moderated by Rasha Salti
Women in the Sun
Gendering narrative and representation
Lina Mounzer: Permission to Speak: On Authorship and Authority
Heba Khalifa: Homemade
Mona Kareem: Compromising Scheherazade — Or Negotiating Feminist Narratives
Moderated by Lamia Moghnieh
The first-person in family histories
Nadia Kamel: al-Mawloodah (Born)
Dima Wannous: The Self as Alternative Homeland
Amr Ezzat: "Room 304: How I hid from my Dear Father for 35 Years"
Moderated by Nael el-Toukhy
Jihan Kikhia: Searching for Kikhia
Zineb Benjelloun: Darna
Samer Frangie: Lineages of the Left: On the Inheritance of Critique
Moderated by Khaled Saghieh
Ibrahim, a Fate to Define (Lebanon, Palestine, Denmark, Qatar, Slovenia), 2019, 75 minutes, Color, in Arabic with subtitles in English.
Directed by Lina Alabed. Written by Lina Al Abed and Rami El Nihawi. Cinematography: Rami El Nihawi. Editing: Rami El Nihawi and Nabil Mehchi. Executive Producers: Mohanad Yaqubi, Kirstine Barfod. Producer: Rami El Nihawi. Sound: Roar Skau Olsen. Original Music: Khaled Yassin.
Followed by a discussion with Lina Alabed
Moderated by Rasha Salti
These Cities are Mine
Narratives of the self in cities, or cities that transform subjective narratives radically
Golan Haji: Thirty Words
Kamal Al-Riahi: Excavating the Self under the Descending Ground of the Savage Master
Moderated by Himmat Zoabi
15:00 ARTIST PRESENTATIONS
Shaima Al Timimi: As if We Never Came
Abdo Shanan: Dry
Moderated by Oraib Toukan
Doha Hassan and Victoria Lupton
(Another Place is An audio walk created between Berlin, Beirut and Damascus, mapping ideas of exile and belonging in the city. Starting point: Cafe am Kotti, Adalbertstraße 96B, 10999 Berlin. You can pick up your map and MP3 between October 5th and November 5th, 11am - 6pm. The walk premieres on Saturday October 5th, 2019 at 11am)
The Redolent Planet
By Mazen Sayyed
First-person narratives and everyday politics
Alaa Hlehel: Katiosha and my Israeli Passport
Salah Badis: The NIMR Roams Free in the Streets of Algiers
Dina Heshmat: Egyptian Diaries of the 2011 Revolution: At the Crossroads of the Personal and the Political
Moderated by George Khalil
At Last, a Tragedy (Syria, Lebanon), 2017, 16 minutes, Color, in Arabic with subtitles in English.
Written, filmed, directed and produced by: Maya Shurbaji. Editing by: Ayman Nahle. Sound design: Ziad Moukarzel.
Followed by a discussion with Maya Shurbaji, the filmmaker
Moderated by Rasha Salti