Meetings in Timefolds is an exhibition that examines and disrupts the para-real, a dimension where heritage and history are curated into forms of false coherence. Through "material-vectors," it intervenes across three archival folds: Fadi Barrage’s queer modernism, Georges Lotfi’s antiquities collection, and Aref el Rayess' print media. It displaces linear narratives and foregrounds effective ways of knowing history.