Camouflaged Narratives pursues the idea of self-censorship. It takes a coercive character that stems from the anxiety of the Palestinian coming to Lebanon, his obsession to justify his presence in the country, and his endeavor to create a picture that matches the agreed-upon modes of ‘presence’. This alternative visual narration is an introduction to the details of daily life in Lebanon, and its dialectical relationship with the events of the revolution, its impact, and its formulation.